Tag: writing

My Favorite Supporting Character Archetypes

Laura Highcove 1 Comment

DIY MFA Book Club, Prompt #7: What’s your favorite supporting character archetype and why?

My favorite supporting archetypes are the bff and the fool.

Most of my enjoyment out of books comes from interpersonal relationships. I love it when two people, or a group of people, come together to form a team based on mutual respect and trust. Bonus points if they really didn’t get along to begin with. That’s why I love the bff (best friends forever) archetype. Most of the main characters in my books end up in relationships like this just because I love it so much.

I am also a huge fan of the fool. For those who don’t know, the fool is the opposite of what you expect from the name. It’s a character put in the story to tell the truth, the way things actually are. Often times they have some sort of information the main character(s) don’t. The favorite example I have from my own stories is Chae. Despite being young, his particular abilities lend themselves to understanding far more than he should at his age.

Removing a Character

Laura Highcove

So after two more weeks of tracking how much time I spend on my writing, I am much happier with my productivity during the week. I am better able to stay on track and I spent more hours working on writing. However, weekends gave me trouble. I don’t have a particular block carved out on weekends because they can be so variable. What this means is while I get writing done, I have dropped the ball on more than one occasion on actually writing down the hours spent and on what.

Added to that the change in schedule caused by some news I got on Tuesday (more details about that in my newsletter this month.) and the Roanoke Regional Writer’s Conference I went to this past Saturday, meaning I’m taking today off, my spreadsheet is nowhere near as beautiful as I would like.

However, I have been feeling productive. (And I think I have been, despite not having all of the cold hard data to back it up.) Being able to look back and see: “Oh yeah, I actually spent an hour and a half smoothing the Huntsman.” Does wonders for dispelling my mind trying to tell me I’m slacking off too much.

I’ll likely keep trying with the spreadsheets and see if I can’t get writing down my time to be more habitual, since it’s something I would like to keep up with.

The “event on Tuesday” also lead to a change in priorities that means I got very little done with the Huntsman. That in itself wouldn’t be horrible except that that morning I had finally decided to pull the plug and yank a (fairly) main character out. So not only did I get less done, I had just given myself more work.

So this journal entry is my reset point for my goals. I need to remove the character from the manuscript, and finish smoothing it out by the end of the month, which is only a week and a half. Looks like that’s most of what I’m going to be doing during this time.

“Best Practices” That Didn’t Work for Me

Laura Highcove 2 Comments

DIY MFA Book Club, Prompt #5: What’s one “best practice” that didn’t work for you?

I have a number of these “best practices” that just don’t work for me. I’ve learned to take any and all advice with a grain of salt, even the ones that seem so ubiquitous that there’s no way it isn’t true, like: “Write every day.” So let’s start there.

“Write every day.” – or, you know, on a schedule that works for you

I don’t write every day. I take Fridays off and other days when things are busy. For me, it was just important to set up a schedule and put aside time to write. When holidays roll around, or other “disruptive events”, I honor my reality and take off the days I need to.

I also don’t necessarily write new words every day. Much of my process involves rewriting over and over (I call this ‘smoothing’.). Some days I *have to* reorganize what I’ve already written before I can move forward with the story. That means sometimes I end up with far fewer words than I started the day with, and yet what I have is better.

“Stop writing when you’re on a roll.” – unless that means you lose momentum

The idea here is supposed to be if you stop in the middle of the action, when you sit down to write the next time, you’ll be able to pick up where you left off more easily. This one got me into trouble a few times because when I tried it, I found that the way my mind works is that once I lose an idea, it’s often gone completely. So I would be writing toward a goal, stop in the middle, and when I sat down the next day I would have literally no idea where I was headed. (Occupational hazard for discovery writers more than plotters.)

I have learned that I need to stop and write ideas, even in the middle of an ongoing scene, or else I will often forget it by the time I get done. And I always finish a scene, or at least a thought before I stop writing for the day. I’m learning to identify my natural lulls, which normally means it’s a good time to stop if I need a stopping point.

“Ignore your inner critic.” – when it’s a good idea

This is a tough one. Because a lot of times you do need to ignore the critic in order to move forward, and not get bogged down. But as you develop more skill writing, sometimes it is important to listen to this critic.

An example: I’ve been struggling with my most recent novel, a book two. I have a character in it that I absolutely love, but my inner critic kept telling me she was superfluous. I kept convincing myself that everything would come together with her eventually.

I finally had to admit that I needed to listen to my inner critic and get rid of this character completely. Her being gone left the main character more time to interact with the other characters, strengthening their relationships and tightening the plot. And truthfully, it’s better that I got rid of her now before I wove her throughout the entire story and made her even harder to take out.

“The only best practice is the one that works best for you.” – period

Luckily I had DIY MFA around to remind me of this one. And truthfully, now I roll my eyes whenever I heard an author say the best advice they have is to ‘write every day’. I would encourage you, as you grow more skilled at writing, to practice saying, “Something that has worked for me is …” Because there really is no advice that works for everyone, but there are people out there who will gain benefit from what you’ve learned works for you.

Storytelling Superpower

Laura Highcove

DIY MFA Book Club, Prompt #3: What’s Your Storytelling Superpower?

Result: The Protector

Your superpower is writing superheroes! Your favorite characters see their world in danger and will do whatever it takes to protect it and those they love in it. These characters may not wear spandex and capes, but they show almost superhuman fortitude in their quest to prevent disaster, whatever the cost to themselves. From Scarlett O’Hara to James Bond to Iron Man, you’re drawn to characters who stand up to the forces of evil and protect what they believe in.

Yeah, it fits pretty well for me, the Protector, as well as what I like to write about. My current book series is about a prince charming, who is a girl, and she is always doing whatever she can to protect the people around her. (If you’re interested in reading more about her, you can get a free chapter here.) The theme has come up often in past book attempts as well.

I (the author) like other people and so my characters and themes in my story usually revolve around people all wanting to protect each other in some way. I don’t usually like stories where people betray each other a lot (not that my characters won’t ever do that) or tend to mistrust persistently. I love to see the interactions among people who love and/or trust each other.

The other results for the Storytelling Superpower (I keep trying to type storyteller, because my book has storytellers in it. :p), in case you’re curious are: The Instigator, the Underdog, and the Survivor. You can probably sort of guess as to their meanings from the names, but if you’re interested scroll down on this page and they’re all listed out.

I am also a survivor. Which comes in handy for being an author. 🙂

Honoring My Reality

Laura Highcove 2 Comments

A prompt from the DIY MFA Book Club: Tell a story about a time when you had to honor your reality. Has there ever been a moment when writing felt completely incompatible with your real life–when it felt like there was just no way you could make the two exist together?

The problem I have with honoring my reality doesn’t come from a feeling of being unable to make my life and my writing coexist. Writing has always been a natural part of my life, completely intertwined. If life gets too busy, I stop writing and take care of it, and then I drift back to my writing naturally.

My problem comes from trying to determine the balance between my life and my writing now that I have a goal of being professionally published. I have a hard time figuring out how much time I “need” to spend writing vs how much time I “need” to spend relaxing.

When you have a boss who is not yourself, the appropriate amount of hours/effort is determined by someone else. You know that you work from 9 to 5, with a break for lunch, or that you have certain tasks that need to be done before you leave. You know (if your boss is any good) what is expected and how much of it.

My own hours/goals are defined by …whatever I think is manageable, or what I think I should be doing. Sometimes it’s reasonable, and sometimes I overestimate what I’m able to do. The variability and the fact that I’m the one that sets my schedule makes it very hard to be able to define the amount of work I do as ‘enough’.

There are certainly days where I convince myself that I’ve done enough when I really just want to read a new book, or play another level in a video game. There are other days that no matter how much I write, my mind tells me: ‘well I could be writing right now’ or ‘did I really get enough writing done today?’.

And at those times I try and remind myself to honor my reality. That I need time to write, and I need time to relax. It doesn’t always work. While I’ve never worried that I won’t have time for writing, finding the happy balance between work and rest is an ongoing struggle.

My Origin Story

Laura Highcove 2 Comments


A prompt from the DIY MFA Book Club:

Writing is a superpower and every superhero has an origin story. What’s yours? When did you realize that you wanted to write? What motivated you to get started?

I’m not sure that I can hone in on the exact moment where I remember thinking ‘Now I want to write’. I have just always written. It was as natural to me as breathing, and in fact it was not until much later in life that I realized other people *didn’t* write like I did.

However, the first memory I have surrounding writing, is about a story I wrote a long time ago called Cottontails Big Adventure. Why yes, I do still have the story and yes, you can read it. It has pictures!

Cottontails Big Adventure

Page 1
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The thing I remember specifically about this story is that when I killed off the antagonist at the end of the story by having him fall in a lake and drown, the wonderful teacher that I had praised my originality. She told me it was very creative that my characters didn’t just end up getting along for no reason at the end of the story. (Which apparently many of my classmates had happen. I swear I don’t remember what grade I was in when I wrote this.)

That praise is the thing I remember most. It’s possible that after that is when I started writing more stories, or maybe this was just one in a line of stories I wrote that didn’t survive until today. All I know is that this story helped to define a lifetime of writing.

Starting the New Year Cold

Laura Highcove

Hello and Happy New Year! I do not have any New Year’s Resolutions to report. I am, however, very glad that we are out of this cold snap. I am continuing on in my writing journey in much the same fashion as last year in that I and evaluating what is and isn’t working every week or so and changing things up as needed.

And this week is no exception. A few weeks ago I saw a friend post about a time tracking program she was using to see how productive she is. I decided it might behoove me to check and see how productive I actually am, since I often don’t feel productive just because I don’t spend every waking moment on my writing.

So for the past two weeks I’ve been just (trying) to record my time I spent on what. Part of the problem was remembering to write down my start and end times. This was the time between (roughly) 2 and 5 pm Mon – Thurs and /shrug on weekends. My plan was to do my best to not change my habits and to just record what I was doing.

First week:

19.5 hours
33% of my time was spent on “writing” activities. Either writing, revision, or smoothing. Anything that is actual work on one of my stories.
44% of my time was spent on “Professional development” things, this includes my social media presence, stuff dealing with agents, and any books that I read.
23% was “other” which is cleaning my house, taking breaks, and playing video games.

Yeah, I was rather disappointed with myself, even though this was supposed to be a fact finding mission. So this past week I tried to focus a little more on doing more writing/professional development, even though I still didn’t give myself any hard-set goals.

Second week:

18.5 hours
62% Writing
27% ProDev
10% Other

Which I am much happier with. And now that I’ve seen the general shape of my working habits, now I’m ready to start setting some goals for myself.

I would like to have is 20 hours a week (a part time jobs’ worth) of time spent on Writing, Reading, and ProDev. Not that I won’t take breaks in my day, but overall time spent should be 20 hours a week. That should boil down to 3 hours a day Mon – Thurs and 3.5 each Sat and Sun. At least approximately. It’s also possible for me to make up time on the weekends, most of the time, but any travel or events will throw a wrench in that. I’ll just have to see how it goes.

Goals:

1) I’ll be done with my last polish of The Law of the Prince Charming before Sunday. It will then be sent to my hubby for his read-through. Once I incorporate anything he finds, it will sit around waiting for some lucky agent to request it.

2) I am doing a smoothing pass of the Huntsman with the new changed beginning. I want to have that done by the end of the month in order to send to alpha reader(s). The goal for this week is just to get through a chapter a day., which could either be easy or hard based on how much I have to rewrite.

New Challenge for December

Laura Highcove 1 Comment

The last two weeks have gone well. I finished up the revision pass of The Law of the Prince Charming, adding in the new plot lines I decided I needed after receiving feedback from an editor. That ended up going a lot more smoothly than I thought it would, and I’m happy with the way it ended up.

A side effect of this, however, sent the first 13k words of the Huntsman into the trash. This was both good and bad. It was good because it highlighted that a certain plot-line was superfluous and probably would’ve just confused things. I was also really having trouble with the end of that section and I’d just as rather not have to fix it. Losing the beginning of the Huntsman was bad because …well throwing away 13k words, and I actually really liked how it started the story. It gave legit reasons to explain what had happened in the last book without it just being the narrator telling the reader. I also loved a lot of the characterization I did with my main characters that, as a discovery writer, I’ll have to see if I can finesse into the new beginning.

And speaking of the new beginning, I was inspired by the DIY MFA Radio podcast to start trying to write every day. Not that I don’t, but I mean to actually write new prose every day. For some reason I assumed that if I was going to write new prose, it had to be as much as I possibly could manage in a day. And that would mean revising and working on my website would be left as daunting side projects. It was pointed out that even 100 words a day is 36.5k a year, nothing mind blowing, but I realized that it would be child’s play for me to write 500 words a day. That’s 30 min, 45 on a bad day. So I just make that a daily thing and that’s over 180k words a year.

As of right now I’m using that to rewrite the beginning of the Huntsman (the rest of the story was not much effected by the beginning being changed, which was part of the problem.) and I’ve also been throwing the occasional 500 words at a new story idea that’s been burning a hole in my brain. So for the most part, December is an experiment of whether I can polish a novel, write prose into a second novel that is on the edge of stepping out of rough draft status, and write prose toward a different project’s rough draft all that the same time. Sounds like a lot of fun doesn’t it? I know right!? So far I’m not having any trouble switching among them. My plan now is to see what happens and reevaluate at the end of the month.

Thanksgiving 2017

Laura Highcove

In the lead up to Thanksgiving I found myself swamped with things, and while I wrote a post, I didn’t have time to go through the 3+ drafts I need to do to get something I write ready to publish.

That post is now on the back burner because I wanted to talk about what I’ve been doing with my writing. And that is, I hired a freelance editor to take a look at the Law of the Prince Charming. One of the main results was that I put the Huntsman aside to come back to LotPC. Two major changes were that I took out a major plot thread that required some reworking and added in another plot thread that required more reworking. These changes ended up going more smoothly than I thought they would, not that there weren’t scenes I had to pull apart at the seams. There were also a number of smaller changes like shoring up Tabitha and her mother’s motivations throughout the story and strengthening the theme.

I made one pass where I added in the rough changes I needed to, and now I’m in the middle of a revision pass where I am smoothing out the sharp edges the additions created and seeing if there is anything else I need to add. I’ll be going into more detail about what my experience in getting more professional feedback was like in this month’s newsletter, so sign up here if you’re interested.

Thanksgiving also happened since I last wrote a journal post. I spent far more time visiting with family than I did working on my story. I only felt guilty some of the time. It was quite the enjoyable holiday. I ate way too much, enjoyed time with family, and avoided any and all political discussion at the table.

My plan from here out: Get this revision pass done by Sunday morning. Then I can spend the afternoon on the rough draft of that post I mentioned.

World Fantasy Con 2017

Laura Highcove 4 Comments

So a week ago I went to San Antonio for World Fantasy Con. It’s my first year going, and I basically decided to go because I heard it mentioned on Writing Excuses and I wanted to get some experience with specifically fantasy focused conventions.

I was rather apprehensive because, while I’ve been rockin’ the convention scene since 2000, with Otakon and a few other anime conventions, I’ve never been to one focusing on books and truthfully I didn’t know what to expect. Otakon is huge and so my biggest change in expectation is that I knew it wasn’t anywhere near that large.

On the first day I was able to talk to someone who had been there before over breakfast, and she told me a few things to expect, like there is very little cosplay at WFC, (which is a change from Otakon) about the con suite (where the serve you food), and the readings.

After I got my badge they directed me to a room where I got a shoulder bag full of books. I was pretty surprised and happy, even though I couldn’t take them all home on the plane. I read several of them before I left and had to leave the others behind. The ones I did keep/read were enjoyable, and it opened me up to some books I wouldn’t have picked up on my own.

I went to the Opening Ceremony Panel where they had their guests, Martha Wells, Tananarive Due, Karen Joy Fowler, Gregory Manchess, and David Mitchel, all talk a bit about secret history, which is the theme of the con. It was a good introduction.

I then went to a reading by Curtis Craddock, who read from a swashbuckling style book called An Alchemy of Masques and Mirrors which was a very intriguing read. I went to his reading just because there wasn’t a panel I wanted to attend at that time and I wanted to experience some live readings so I have ideas for mine in the future. And now I am adding that book to my ‘to read’ pile.

There was a panel called Beards and Intrigue: Queering the Historical Fantasy where the discussion was on LGBTQ+ protagonists in fantasy. The panel itself was great and the panelists included in their introductions their gender and sexual preference and it wasn’t until question and answer time that someone pointed out how cool it was that they had done that, and the entire audience just accepted it.

But that really was an overall theme that I noticed for the weekend. Fantasy people …I dunno, we’re just hardwired to accept things. We’re so used to reading about protagonists that are different, if they’re even human at all, and then being drawn into a story where we sympathize with those characters. So it gives us a leg up on the ‘live and let live’ style of existence.

The next day there was Exploration of Gender in Fantasy panel, where I found out about the Tiptree Award, which is “an annual literary prize for works of science fiction or fantasy that expand or explore one’s understanding of gender.” (from wikipedia).

And there was a panel Hild and Hilt: the Female Monk, the Lone Woman Protagonist where they talked about what it took to be a ‘lone woman protagonist’ and how that was different from a male protagonist.

I went to a number of other panels and readings and really enjoyed most everything I interacted with. And at the end of it all, when I was at the Awards Banquet and I was listening to Martha Wells speak, I realized something about the weekend that had sort of flitted at the edges but not really hit me. Unlike writing conferences I’ve been to, these were my people. I could feel it in the air and in the way everyone interacted with each other. Everyone was interested in fantasy books, they read them and brought them up as examples, and talked about them with such fervor; unlike at conferences where I feel like genre sort of sits on the sidelines and sometimes gets mentioned and usually by lumping fantasy together with science fiction. (Not that I have anything against science fiction, but it is different.)

After the Con was over, I had some extra time to go around San Antonio and experience the Riverwalk, which was amazing. Unfortunately I got sick on the way home and I still can’t breathe through my nose, but it’ll pass. But all in all, I was very glad I went and experienced it, and not only because of the free books.