Tag: fairy tales

Next Step

Laura Highcove

I typed a blog post on Saturday saying that I had a plan to finish smoothing the rest of my novel by my deadline of Friday. I let the post sit until Sunday, as I usually do, before posting. In that time I finished smoothing the rest of the novel and sent it out to my beta readers. As such, my plan is finished before the post had time to enter the world. Yay to me.

Then I researched agents who will be at the James River Writer’s Conference that I’m going to this weekend. That didn’t take too much time. I also went to the bookstore to try and find some Arabian fairy tales, but that didn’t work. So now I’m a little lost. I don’t want to start on a new project right before NaNoWriMo. At the same time, I don’t know what to do with myself when I don’t spend time on writing. I figure maybe I should just sit down and write and see what happens. I am a discovery writer after all.

Analyzing Howl’s Moving Castle (And Why I Liked the Book Better than the Movie)

Laura Highcove

Next in my series of analyzing my favorite media is Howl’s Moving Castle. I saw the movie before I read the book, mostly because I watch all of Hayao Miyazaki’s films. I loved the movie and so I went out to buy the book. I also loved the book.

Over time, when I would pull the movie out to watch, I found myself instead watching a few minutes of the movie and then going and getting the book to read instead. Howl’s Moving Castle is only 329 pages, so it’s a quick read.

Reasons I Like the Book

1) Character:
I love Sophie and Howl’s relationship and how it develops so naturally between them as they snipe back and forth. Especially! the tiny bits of care Howl displays between his irresponsibility and arrogance that gradually grow more frequent. In fact, I love this so much about the book, that it’s the biggest the reason I don’t watch the movie anymore, because it is practically non-existent there.

Howl said. “I think we ought to live happily ever after,” and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more eventful than any story made it sound, though she was determined to try. “It should be hair raising,” added Howl.
“And you’ll exploit me,” Sophie said.
“And then you’ll cut up all my suits to teach me,” Howl said.

2) Voice/Plot:
Both of these have to do with the book being well written. The narrator is so delightfully playful and the dialogue is witty and appropriate.

“Go to bed, you fool,” Calcifer said sleepily. “You’re drunk.”
“Who, me?” said Howl. “I assure you, my friends, I am cone sold stober.” He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him. “What a lie that was.” Howl remarked as he walked into the wall. “My shining dishonesty will be the salvation of me.” He walked into the wall several times more, in several different places, before he discovered his bedroom door and crashed his way through it. Sophie could hear him falling about, saying his bed was dodging.

I also appreciate how well the plot is explained to Sophie in the end. Howl does a lot behind her pov and the Witch of the Waste’s plot is rather complicated, but at the same time I never remember feeling confused about what was happening and why.

Reasons I liked the Movie

1) Bishounen:
Bishounen is a Japanese word that literally means ‘pretty boy’. I grew up watching a lot of anime and this is a trope that is quite prevalent in anime. I love men who are classified as pretty over handsome. Howl is a bishounen.

2) Sense of Wonder:
Hayao Miyazaki knows how to add wonder to his movies by just showing the beauty of nature. It’s probably why I like most of his movies.

Why I Like the Book Over the Movie

1) The movie plays Howl up as noble, with his ‘saving’ Sophie from the soldiers at the beginning and his rampant disapproval of the war. This overshadows his being an irresponsible, arrogant womanizer. I can see why I liked the movie so much at first, because who doesn’t love a beautiful, noble character? Then I fell in love with the flawed Howl. I read the book to watch Howl become a better person through his interaction with Sophie.

2) Sophie does not have any magic. At least not that’s obvious. The one bit of ‘overt’ magic that she does do, in returning Howl’s heart, is in no way foreshadowed, so it’s easy to say Sophie can do it because she loves Howl. I suppose this is rather petty, but I feel like the magic was so naturally a part of who Sophie was that its absence gives her a different feel.

3) The whole war, which was there to create conflict instead of the Witch of the Waste …perhaps because her plot was too complicated? In the end the war didn’t mean anything except there were bombs dropped during the climax. (That and it reveals that Suliman was apparently covertly creepy/evil what with her mini-Howls and the implication that the war was just an excuse for her to gather and strip the powers of witches and wizards.)

4) The Witch of the Waste being horribly ineffective. She curses Sophie, admits she can’t undo the curse, can hardly walk up stairs, gets her magic taken away, and then turns into a senile invalid.

Now I’m sure a lot of parts of the movie suffered because, well, it was a movie and not a book. Books just have more time for detail and character arcs. What I can’t forgive is just how different the Howl from the book felt than the Howl from the movie. I could have been fine with the war subplot if Howl could have just been himself. But since one of the things I enjoy the most in my media are the characters and their relationships, I’ll just continue reading the book and using the movie for character designs.

Embracing Your Zero Moment

Laura Highcove 1 Comment

I wrote this blog post in response to a prompt from DIYMFA.com. I’m a bit behind the curve in terms of timing, but I wanted to write this post anyway, so it gave me an excuse.

Embrace Your Zero Moment
The hardest step in your creative development is the “zero moment,” the point where you go from doing nothing to doing something. The distance between the zero moment and being a newbie is far greater than the distance between newbie and pro, yet rarely does anyone celebrate this pivotal, important step. Today, we want you to celebrate. Think back to your zero moment and do something to celebrate that incredible leap of faith.

The zero moment I remember the best is for my current story, probably because it’s most recent. I have always wanted to do a story based in or around fairy tales, due largely in part to The Fairy Godmother by Mercedes Lackey but for a long time I didn’t have a way to make it work or any real inspiration.

Then, in March of 2014 I was skimming through the “fairy books” by Andrew Lang which were published online. I was reading through different fairy tales until I stumbled on one called ‘The Little Wildrose’. As with all of my ‘research’, I don’t so much take what is, as use what I read to come up with a spark of my own. As soon as I got to the point about the Wildrose being raised by eagles, my mind immediately went to gryffins. (Because I love gryffins, but that will be a future post.)

And as basic and uncomplicated as this tale is, this was the spark that I needed to throw me into the whirlwind of creating a new story. I forget why I decided to make Wildrose a guy instead of a girl. I think it may have started as an idea to have all the roles in the fairy tales gender swapped, as an early version of this story had Wildrose attempting to stop a female Bluebeard from collecting and killing husbands. As I wrote my early drafts I kept coming on the issue of needing another character for Wildrose to play off of.

Eventually Tabitha popped out and took over as the main character of the story. I wrote a chapter or so and then the story sat there until October of that same year when I decided I was going to do this story for NaNoWriMo, only one month wasn’t enough, so I gave myself a goal of 40k words for October, and then did the 50k words in November as well, leaving me with over 90k words by the end of November.

During December I organized what I had written (I don’t always write in order, and I tend to go off on a lot of tangents while writing a rough draft) as well as had a mentor call with Gabriela that helped me to make a plan for tackling the revision. This story is actually what started me on my ‘post a week‘ habit as I wanted to keep track of what I did.

Now everything did not go nearly as beautifully as my plan would suggest, but I certainly did a lot of editing and character development and world building in the next five months. I ‘completed’ my revision only to realize the story was only 55k words.

After a break to let the story rest I came back and did more development work until I threw myself at NaNoWriMo again in order to hammer out the second half of the book. (Which I had really struggled with.) Then I stopped and reassessed.

I had my husband alpha read the story at the beginning of this year, and then I just started hammering out problems over and over, until we get to the present, where the story is out for its first beta read. It really is encouraging to be able to look back at the zero moment to see exactly how far I have come. Two years is a long time, but I’ve also gotten a lot of work done, as well as improved myself as a writer. Even with all the ridiculous doubts along the way, it really is all about not giving up.

NaNoWriMo Still

Laura Highcove

So NaNoWriMo is going well. Pounding out words has never been the problem for me. Right now I am drifting back and forth between thinking that the Arthur tale and what it provides for the characters and their development is a great idea, and thinking it’s stupid and that it doesn’t fit with the story as a whole.

Such is the life of a writer.

I’m also getting a little bit of mentoring surrounding the POV challenges I have for this story. It means some more research, but for right now I’m still focusing on getting the story hammered out, then I can worry about how it’s told later.

Outside of my writing my husband made some slow cooker pork for tacos that was wonderful. I started learning about bending and suppling my horse on the ground. And I played some Hyrule Warriors last night for the first time in a long time.

Researching Arthurian Legend

Laura Highcove

So today I’ve done a bit of research on Arthurian Legend. The first part of the second half of The Storyteller, I’m sending Tabitha into The King Arthur tale.

Before this I knew the basics of this myth like most people:

There was a king named Arthur. He had a special sword called Excalibur that he got out of a stone or a lake, depending on who you ask. He had a wizard mentor named Merlin. He has a group of knights and a round table. He has a wife Guenevere who is also in love with one of his knights, Lancelot and that got everyone into a lot of trouble.

Places I have seen the Arthur Legend:

The Sword in the Stone by Disney, with adorable little Wart and old man Merlin who taught him everything important.

I saw a live action movie one time that may have been based on the book The Mists of Avalon (which I haven’t read) that focused more on Morgan le Fay. I don’t remember much of it except that she was tricked into sleeping with her half-brother, Arthur.

The BBC series Merlin, which toward the end used the less than happy ending to the Arthur story, ie Arthur getting mortally wounded by Mordred and then “disappearing”, but oh hey it might come back some day. (Argh, I don’t care how ‘faithful’ that ending was, I was so unhappy.)

New things I discovered:

Excalibur actually came out of the lake. There was a lady there who took care of it, and she and Merlin had a thing.

The sword that Arthur pulled out of the stone was not Excalibur.

There is apparently a lot of illicit sex going on among the peoples of this mythology. Arthur’s father slept with a married woman to get Arthur. Arthur slept with his half-sister Morgan and/or Morgause and sired the person who would kill him, Mordred. And some of his knights got naughty as well (Besides Lancelot).

Chivalry was a super big thing, but most things involving Courtly Love eventually just turned into illicit sex.

and …

I’m not sure how I’ll use this information for my story yet, but it was only an hour or so of research. Just enough to get me the basics. I think my main issue is that there are a lot of people in the Arthurian Legend, and if I’m keeping with calling people by their roles instead of their names, it gets a lot more complicated when there are all those knights. We’ll have to see what I come up with.

Gender Bending

Laura Highcove

One of the things that I am playing around with in The Storyteller are gender roles, because it’s something I’m interested in. I’ve always been a tomboy and unlike many girls, I never really grew out of it.

Both of the main characters in The Storyteller do not conform to standard gender roles. Tabitha was raised as a Prince Charming. She is dashing, brave, and kind, the ideal prince. She just happens to be a girl.

Wildrose is In Touch with his Feminine Side. He is a man who does not play to typical masculine traits, and is just as comfortable playing the role of a woman as a man.

Wonderfully enough, TV Tropes (which I introduced you to last week) has a page for discussing gender roles. (It is a long read, just warning you.) The article exists to help people write characters of opposite genders, and as such is a neat compilation of the differences between genders, with the necessary disclaimer that it’s hard to make blanket statements about genders.

What gender roles do you like to bend or break, and which do you tend to conform to?

Getting Tropey

Laura Highcove

It occurs to me that since right now I don’t have any writing stuff to talk about, that this is a perfect time to talk a bit more about the story I’m working on itself, as opposed to the process.

If you’ve visited the “The Stories” link over on the right, you may have noticed the line under The Storyteller heading: “I have always wanted to do a story in a fairy tale world where the characters are genre savvy (ie, they know the fairy tales are stories and respond accordingly.)”. Being genre savvy involves a knowledge of expected outcomes based on stories similar to the current situation. These expected outcomes are also known as tropes. Click on that link. I’ll wait.

Back so soon? I’ve been known to get lost for hours on that site.

Basically, all of the things that you expect to happen in tv, movies, books, etc. because you’ve seen them before. You know it is a bad decision to go down into the basement when there’s a serial killer or scary monster somewhere in the vicinity, but the person in the situation has no idea that they’re in a scary movie.

Part of what I’m playing around with in The Storyteller is that the laws of magic in this world are tropes, and fairy tales happen over and over in different places to different people. These people have no idea they’re in a story. My main characters are Storytellers, and it’s their job to be Genre Savvy. They have to know the laws (tropes) in order to make sure the world stays stable through the successful completion of the tales.

Think for a moment about Cinderella. It doesn’t matter if you think of the Disney version, or any other version. There are certain things you associate with the story. Cinderella is treated as a servant. Her ball. She meets a prince, loses her slipper, and is identified by it.

There are many tropes associated with this story, and tons of re-tellings of the Cinderella story that use different tropes. Some tropes are less necessary than others. Would it still be a cinderella story if she started out rich? If her stepmother loved her? If there is no prince? What about if there were two princes?

In The Storyteller, the Storytellers have to make sure that certain tropes (laws of magic) happen properly within the tale or the magic can go completely wild. As such, I’ve had a lot of fun playing with what tropes I can put into stories, and which I can take out without losing the essence of the story. And that doesn’t mean that my Storytellers don’t have tropes of their own.

Tropes are not good or bad on their face, they’re just a tool. A way of creating and possibly subverting expectations in the reader quickly and easily. If you find any tropes on TV Tropes that you particularly like, feel free to share them in the comments section or post to my wall.