How I’ve Dulled my Social Anxiety

There was never a point at which I suddenly realized I was a shy person. I just always knew I was shy and for the most part I didn’t care. I stayed out of people’s way and they stayed out of mine.

Wanting to Change

A desire for change came from the place of realizing that being shy would be a hindrance to becoming successful as an author. In these days of social media, podcasts, and conventions, lingering in the shadows keeps you from being seen and being seen is important. These days, people want to interact with the people who write the books they love, and being seen helps to get your book out there. Often, the authors that I connect with (and thus buy the books of) are authors who are open, friendly, and personable.

Now I have made great strides in this front over the past five years or so, but I still remember being so excited about going to my first writer’s conference and how confidant I felt, until I ended up in a corner, clutching my umbrella for dear life while the other writers around me chatted with each other. I had grown comfortable in my own circles but had no skill at accessing that confidence in a new place with new people. I spent the first day of this conference flitting from place to place, as invisible as I always was.

Set Small, Reasonable Goals

By the second day, I realized how unreasonable it had been to expect myself to walk up to strangers in a place I had never been before and make small talk. That is not something in my skill set, and expecting it of myself was unfair.

As such, I gave myself an easier goal: Walk up to the fantasy author who had just given a panel and thank him. Not as big of an ask, I had gotten to know the author a bit through his panel and it is expected for people to go up and talk to him afterward. I just inserted myself into that place. He was friendly and encouraging.

When I went to Writer’s Digest for the first time later that year, I gave myself the small goal of exchanging business cards with someone. Just one person.

At a third conference I challenged myself to speak with just one agent. (Though I had a long list of them I had looked up prior, to give myself more options. This one was particularly tough.)

I also willingly! went to a retreat for public speaking. You can read more about that here.

The important thing was to not overload myself with expectations. I looked at what I was comfortable doing and I pushed myself to do a bit more.

Setting Up for Success

Let’s face it, the world is a scary place and I’ve found that I do far better in certain situations. If I need to talk to people I have never met before, I need to be in a familiar setting. If I need to go to a new place, it’s better for me to be with someone I know. This year was my second year at Writer’s Digest and I bunked with a writer I knew online, and several people from the DIY MFA team were there.

It was the best time I’ve ever had at a conference because I was comfortable in the setting and with the people there. And because of that, I was able to go into the Pitch Slam with more confidence than I would’ve thought possible.

I’m going to World Fantasy Con this next month in Texas for the first time and my mother is going with me. She’s not going to the convention proper, but we’re going to spend time hanging around the city together around the convention, and I expect that that bit of familiarity (along with the fact that I’ve been going Otakon for over a decade now) will greatly help my confidence levels in the new situation of the con.

Forgiving your Failures

I’ve given myself goals that I’ve been unable to fulfill. I’ve gotten in line to talk to authors before and then walked away because I got in my head too much and scared myself out of wanting to talk to them. The worst thing you can do in this case is berate yourself after the fact. It won’t change anything at that point. The best thing to do is look forward and either try again or give yourself (temporary) permission to stop.

After I had talked to six or seven agents at the Pitch Slam (and had done really well) I realized that I was emotionally drained and even though the time wasn’t completely up, I gave myself permission to stop pushing, because it’s just what I needed at that point.

Knowing your limits is going something everyone has to learn for themselves. Sometimes you’ll push too far and other times you won’t push far enough. You just have to keep being honest with yourself and keep trying to improve.

An Agent

Let’s see, if we’re talking about what I’d want in an ideal agent, I’d certainly like to have someone who is a geek of some variety who knows shows like Psych, Grimm, Lucifer, and those written by Joss Wedon. Bonus points for a gamer/otaku.

I don’t have a particular level of experience needed (ie, I can be their first client), but I would like an agent who is as dedicated to doing their job as I am and has the support of a good agency.

I’d also like an agent who doesn’t try and pigeon-hole me. I’d pretty well in love with fantasy, but I don’t want to have to write the same type of novel all the time. I want to keep growing and expanding.

I also want an agent who doesn’t just see me as a dollar-sign. I mean I’m all for us both to making money, that’s the game, but I want an agent who can help me with concerns as well as helping me progress in my career. I just work better with people when I don’t feel like I have to hide my problems.

And above all, I want to work with someone who loves my writing and wants to see it published as much as I do.

Working up to NaNoWriMo

I did several prompts this past week, and then thought that maybe I should work on actually writing a large number of words a day. In the past I’ve been able to reliably bang out 1000-1500 words in an hour, but it’s been a long time since I’ve been in output mode and not revision mode.

So I decided to work on the short story I had a vague idea about involving Cobalt and Archer. It takes place only a few days after the end of the Storyteller and involves them going to and also going to fix . It ended up being a good thing I did a little practice before NaNoWriMo starts this Tuesday.

Firstly, I had trouble producing words so I had a few days of reminding myself how to push forward through the resistance, as well as remembering the feel of how I get to the place where words flow.

Secondly, it helped me organize some of the fallout from The Storyteller. While that won’t be in The Huntsman, it’s still helpful to have it written out. I’m one of those authors who doesn’t know what I think until I write it down. I can plan all day long, but when I write, I think about it a different way and all the details flow into my brain. Most of the time it kills whatever my plan is and it’s glorious.

I am actually nervous about NaNoWriMo for the first time in several years since I am challenging myself to write 90k words in the month instead of the usual 50k. 50k just became to easy for me and I’ve had no challenge the past few years. Not to say getting out 50k words wasn’t helpful, because it certainly was. It will just be interesting to see if it’s actually possible for me to pop out an entire rough draft in a month, as opposed to it taking two months.

Still no more responses from agents. It only occurs to me now that I don’t know what the procedure is around announcing agent representation. When I (hopefully) find that lucky agent who loves my book, I’m not sure if I’ll be able to make it public right away. It might be that that only pertains to getting picked up by an editor. Either way, I’ll be sure to post about it as soon as I can.

Agents and Prompts

I’ve been a little lackadaisical about my blog posts, and that’s because my writing has been lackadaisical. My novel is out with beta readers for the final polish and I generally get a little ‘omg, what do I do with my hands?’ when I don’t have a clear writing goal.

Last week I researched my first batch of agents, wrote my query letters and synopses (of different lengths), and put it all together to send out my query letters. But since it was the first time I’ve done this particular task, I backtracked to check things three or four times in an attempt to give each agent as close to what they wanted in a query letter as possible. I even made an excel sheet to organize.

I got my first form rejection letter by the next day. It was faster than I was expecting. I celebrated it as the beginning of my ‘writer’s school of hard knocks’, but at the same time, I thought I would be more upset about the rejection itself. Perhaps the time listening to Gabriela and reading articles on how rejection is never personal, that agents reject manuscripts for all sorts of reasons, actually sunk in. Agents all have their preferences. I just have to find that agent whose specific preferences line up with what I wrote.

As for straight up writing, I have close to 2k words on a new story, but at the same time I struggled with the idea of starting a new project when I know I’m going to be writing The Huntsman for NaNoWriMo. The solution finally hit me Friday night. I pulled out ‘The 3A.M. Epiphany’ on Saturday morning and did the next writing prompt in the book.

Prompts are an excellent way to write without having to have a project. And the prompt gave me a great idea for a unique pov that I may use in The Huntsman. I played around with pov in The Storyteller and it was rather enjoyable. So I want to keep that up. I think I may like playing with weird povs. Maybe it will become one of my things?

So the writing life is still going well. Every time I worry that I won’t be picked up by an agent, I remind myself why I write in the first place. I’d love to get my stories out there to share my friends and their worlds with other people, but I’ll keep writing even if I’m the only one who reads about them.

Catching Up on My Journal

So I’ve been gone from here for a while, but not from writing. Even on my wonderful Disney Cruise to the Caribbean I spent about five hours one day people watching and working on my novel.


That’s right, blue water and white beaches.

What I have been working on was giving my novel a complete read through after all of the changes I made as a result of my first beta read. I just finished this past weekend, and let me tell you, I am somewhat impressed with myself. I really had a lot of times when I doubted my ability to finish something, and now here I am, within spitting distance of the end. My “To Fix’ file isn’t even a whole page.

So my list right now is:
1) Go over the fight scenes once more with my husband. (2 weeks)
2) Finish my ‘To Fix’ list. (1 week)
3) Go through and fix the prose I marked that doesn’t flow. (2 weeks)
4) Print out the entire novel and line edit. (1 week)
5) Beta read #2 by Oct 15th (Which is when I go to a writing conference.)

Which is cutting it a little tight. Especially, I think, for #3 (It occurs to me only now that I’m not sure I’m allowed to use the pound sign to denote ‘number’ anymore. Hashtag 3!) but at the same time I am giving myself the deadline. It might be best to work on that one from the end of the book forward, since the beginning of the book is generally cleaner.

It also occurs to me that I should be looking into agents I want to query. When I thought it would take me until the beginning of the year to finish, I kept putting it off. How exciting!