Bookish Bucket List

I had a lot of trouble with this prompt. I have never been much of a bucket list kind of person. I mean I always wanted to go on a cruise and see clear blue water. (Did that one.) And one day I want to go to Germany and possibly Japan, but it’s more that I want to be active. I don’t want to just allow myself to stagnate.

When it comes to my writing I don’t have a bucket list. Sure I’d love to get a book published, I’d love to have fans, and I’d like to make money, but I don’t really see those as items on a bucket list because I have no control over any of them.

The only thing I have control over in my writing career is whether or not I write and whether or not I do my best to improve my craft. And yet those are not really things to go on a bucket list, those are just ever present goals. I may be nit picking the definition of ‘bucket list’ a little bit here, but that’s really how I feel.

Researching

I really don’t like research. I wouldn’t say that I write fantasy because I dislike researching the real world, but I don’t doubt that it’s a bit of a factor. The amount of time and effort that can go into minute details that may only come up once, but to which people will latch because of human’s intense desire to be right and/or prove other people wrong. The more stuff I just make up, the less things people can point at and tell me I’m wrong.

However, technically the Storyteller came about because I was doing “research” into fairy tales. And by research I mean I was reading obscure fairy tales. I landed on The Little Wildrose and realized the eagle could be a gryffin, and that was the last spark I needed in order to jump start that book.

I have found some other things that I enjoyed researching. I love reading about Norse Mythology, whether or not the novel I did that research for becomes more than a trunk novel. I have also looked into sociopaths because I find that particular mental affliction interesting as someone who is entirely too sensitive of the emotions of others. And recently I have become interested in mushrooms for a world I’m playing around with that has no sun. Not super deep into that one yet.

There have been story ideas that I’ve ignored because the research I would need to do in order to write the book seems too tedious. I think the big thing is finding something I’m interested in enough to be willing to put in the time.

My Beta Readers

So with The Storyteller, I had my first real set of beta readers. It was the first time I ever had a complete book to hand to anyone. I was really happy with the people who agreed to beta read my book and it was a tong of fun to be able to see each of their personalities reflected in the notes they gave me.

Overall it was a wonderful learning experience and I am so grateful for each and every one of them. The feedback I got back was really invaluable. And I know how time intensive it is to read a novel, but they did that as well as giving me feedback on it. I love them all.

Dream Writer’s Retreat

So my Dream Writer’s Retreat is the Writing Excuses Cruise. I love cruises, so I think that would be a great place to have a retreat. I don’t even particularly care where the cruse goes as long as it’s pretty.

I would have gone this year, but it ended up being in Europe and Brandon Sanderson is not going. As such, I decided that the travel costs were just not worth it. I hope that the cruise will be back in the US next year and that Brandon will be going so I can check off ‘Meeting Brandon Sanderson’ from my bucket list, as well as going on my first writer’s retreat.

An Agent

Let’s see, if we’re talking about what I’d want in an ideal agent, I’d certainly like to have someone who is a geek of some variety who knows shows like Psych, Grimm, Lucifer, and those written by Joss Wedon. Bonus points for a gamer/otaku.

I don’t have a particular level of experience needed (ie, I can be their first client), but I would like an agent who is as dedicated to doing their job as I am and has the support of a good agency.

I’d also like an agent who doesn’t try and pigeon-hole me. I’d pretty well in love with fantasy, but I don’t want to have to write the same type of novel all the time. I want to keep growing and expanding.

I also want an agent who doesn’t just see me as a dollar-sign. I mean I’m all for us both to making money, that’s the game, but I want an agent who can help me with concerns as well as helping me progress in my career. I just work better with people when I don’t feel like I have to hide my problems.

And above all, I want to work with someone who loves my writing and wants to see it published as much as I do.

Dedication Page

I like the prompts I’ve been using this month for these posts because many of them make me think about things that I didn’t think about before.

The dedication page is one of those. I feel like a dedication page is really dedicated to the person/people who meant the most to you during the writing of the book. So much so that you want to dedicate the book and the idea of the book to them. If I was entirely truthful, I would dedicate The Storyteller to myself, just because of what it means to me as a book. I’m not sure that any other story I write will mean quite this much to me. But I’m pretty sure dedicating a book to yourself is like thanking yourself in an acceptance speech, bad form.

Then I had the idea of what I really want the dedication of this book to be:

To Abigail

For everything you have suffered.

It could be a rather massive spoiler, but because of the nature of this book, I think it is the most appropriate dedication I could come up with. Even if it is bad form.

Character Creation

I don’t really plan my characters. I may have a vague idea that I need a character in a certain place and they might be kinda like this. But I never know my characters until I write them. I consciously put more of myself in Tabitha than any other character I’ve written in the past. And even that didn’t happen until I had written a lot of her already. In fact I remember the specific place where Tabitha shoved her personality in my face.

It was a similar situation with Wildrose, in that he ended up being a lot like my husband unintentionally, and later I put more pieces of my husband in there. At the same time he is himself.

And some characters come more easily than others. The Huntsman was the most difficult character for me in this novel. I literally did not pin him down until several drafts in. He was going to be the huge gruff guy, then the comedic relief, and who knows what else. He flopped all over the place until he finally settled where he is.

In general, I don’t think I ever look at a character or a person and set out to write any of my characters based on them. It just drifts that way as I go, but then I am a discovery writer. I am convinced that those characters just exist in my brain and I write until I pull enough of them out.

Writer Swag

Writer Swag is not really something I’ve given a lot of thought to. In fact I had sort of ignored the concept until I went to the Roanoke Author Invasion this past weekend. I really paid attention to what people had on their tables and what it did, or didn’t do, to draw me in.

First of all are the books themselves. You’re going to have an opinion about the cover first and foremost. Some covers drew me in, others did not. Same with the large banners behind the tables.

Some tables had free swag like candy, bookmarks, and fliers. The pieces that I liked the most were the free swag that had a description of the book on it. There were several books in which I was in interested that I didn’t pick up while I was there, and with a description I will remember what I liked about it more easily in case I decide to go back.

Another thing I found interesting were the tables that also had other bits of the writer’s hobby displayed for sale, like jewelry or things like that, which I thought was also interesting because it can be another talking point.

Then there are the authors themselves, they were bright and friendly. That isn’t exactly swag, but it is an important part of drawing people to your books.

Kill Your Darlings

It is a common phrase said to writers, to ‘Kill Your Darlings’. Basically what it means is that sometimes a writer writes something that they just love. A character, a scene, a line that is just amazing. Only that thing either doesn’t improve the story, or in some cases, drags it down. Only the writer doesn’t want to get rid of it because it’s just so cool. This makes it hard to admit to yourself that you need to get rid of it.

I had (at least) one such darling in The Storyteller. Tabitha is going into the Huntsman’s castle to look for the sword. In the first version of the story it read like this:

Tabitha marched toward the castle doors. They opened easily at her touch. She did not let herself hesitate on entering the magical castle. The doors thudded shut behind her.

“Should we have warned him about the demons?” the Man in Black asked, glancing at the Wizard.

“He didn’t ask.”

I even got positive feedback from early readers about those last two lines. And I loved them. And those darlings stuck around until Draft 9 when I finally admitted to myself (because I knew before that, but I was clinging to those lines) that for the rest of the book the narrator sticks right on top of Tabitha, and having any narration when Tabitha is not in the room just doesn’t work. On top of that, while it’s a nice sting, that information is not necessary. Tabitha runs into a demon in the next scene.

It still hurt to delete those words though.

Awesome Writing Moments

I am a discovery writer. When I was young I would sit down with nothing but a vague idea and the world and characters would pop out as I wrote. Now that I’m older, and have more skill, I tend to have some of the story itself planned out, maybe vague ideas for the world and characters before I start, but for the most part I can’t plan too much or I flounder.

And I love being a discovery writer because of how those ideas seem to come from nowhere. I get ideas for stories from all over the place, but when I am in the process of writing, I just write my characters doing things or stuff about the world and that random stuff turns out to be super important later in the story. It basically feels like magic, like my brain is working on a higher level and puts things together without me realizing it. Moments like these are always awesome writing moments.

For example: I had Tabitha like apples. I’m pretty sure it started out that way because her kingdom is always in autumn, and apples are a fall crop. Later I realized the apples were part of a very important plot point.

It is this ability for my mind to make these connections that gives me a lot of comfort when I’m writing and feel like I have no idea where I’m going. I’ve learned to trust myself. One of my mantras is: “There is a way all of this will make sense, I just have to find it.”