Plan for the Rest of the Year

I was talking with my husband this morning and he asked if I was going to work on my novel, and in jest I said, ‘Yes, I’m going to go work on my boring, old novel.’ Then I stopped and realized that The Storyteller isn’t even a year old yet. The concept for it is about a year old, but I didn’t start writing it until October of last year. And that sort of blew my mind. I have so many other stories that aren’t even to this point that are far older, yet when I think about this novel, I keep having issue with how long it’s taking me to get to beta reader ready. I’m grateful for the reminder that I’m doing a good job.

My goal is to have The Storyteller ready for my beta readers by January 2016. I counted up the number of weeks left in the year. 16 and five days, which I am rounding up to 17 because I can do that. Here is a list of what I still have to do:

Finish writing the scenes involving The Slayer and The Archer. (3 weeks)
Finish writing the scenes involving The Fairy Godmother. (2 weeks)
Finish writing the scenes involving The Huntress. (2 weeks)
Fix three plot holes. (1 week)
Overall run through of story to identify any new problems. (1 week)
Run through to fix any “medium” problems. (3 weeks)
Run through to smooth out as many “minor” problems as possible. (3 weeks)
Overall run through of story as a last check. (2 weeks)

That’s actually more time than I thought I was going to have. Once I wrote it out in a list and put times to it, I’m pretty confidant in my ability to get it done. Though I suppose I have to remember that Thanksgiving and Christmas are in there, and I won’t be able to participate in NaNoWriMo this year. Still, less than a year an a half to get a story to beta readers. I’m happy with that.

Inspiration from Dungeons & Dragons

You may or may not know that in my spare(!) time I play Dungeons and Dragons. So when I decided I needed to flesh out my important characters’ fighting styles for The Storyteller, I realized that D&D held a wealth of information I could tap into. More specifically, I chose 4th Edition D&D because we (my gaming circle) see 4th Edition classes as little black boxes out of which attack come. It’s ripe for reskinning, and that is exactly what I wanted to do. So I told my husband the basic ideas I had for five of my characters, and he pitched classes at me until something intrigued me.

Bonus information: In The Storyteller, there are mythics, which leave remnants of themselves behind when killed. These items hold what magic the mythic had and can then be used for that magic in different ways.

I started, oddly enough, with a character that I’ve never mentioned before because he only became an important character when I realized I had to expand on a subplot and he and his partner became one of the main focuses of that subplot. His role is The Slayer. My inspiration was the Player’s Handbook 2 class, the Barbarian, and more specifically, the rages that they enter.
The Slayer can absorb a remnant it will give him two or three abilities from the type of mythic who dropped it. If he doesn’t stay properly focused on himself, he will slowly lose himself into the ‘rage’. When that happens, his partner has to snap him out of it or he will lash out randomly.
Right now the ‘rages’ he has are: Stone Ram, Feathered Serpent, and Red Dragon.

Next was Garrett. For him the inspiration was the Player’s Handbook 3 class, the Monk, and their vast array of attacks. During this process he lost the sword he had in lieu of a monk’s weaponless fighting style.
Garrett can switch among a number of absorbed remnants, using each for one power. Some are more rare, and others use up more magic. He can use more than one at once, but the rate at which they are drained of magic increases dramatically. When a remnant runs out of magic, it is gone.
A rough list of his remnants are (from common to rare): Giant’s Strength, Ram Horns, Arachne Silk, Cat Claws, Undine Scales, Thunderbird Wings, Basilisk Poison, and Living Flame.

Rose was next, and I pretty much knew what he would be right off the bat, I was just less sure how I was going to skin it. His inspiration was the Player’s Handbook 1 Wizard combined with Pathfinder’s Occult Adventures Occultist.
Unlike the first two, Rose does not use remnants directly, he creates artifacts (a feat in itself), which allows him to manipulate the spells he can get out of remnants. He also has to carry around the artifacts in order to use them. He doesn’t have a full list of artifacts yet, but it may or may not include gloves that create a necrotic web and a bell that makes an illusionary double.

The Slayer’s partner is The Archer. I put him off until later because I thought I knew exactly what I was going to do with him (Player’s Handbook 3, Seeker). Turns out I was wrong, and instead got my inspiration from the Martial Power 2’s Warlord, which was when they introduced the Skirmishing Warlord, who uses a bow.
The Archer uses normal arrows in order to be a distraction, position the mobs where he wants, and just straight up shoot things, but he also has a number of specialty artifact arrows made by Rose. Those include: Healing Arrows, Daze Arrows, Entangling Arrows, and Lightning Arrows.

Tabitha I left until last because she’s the only one of the important characters who doesn’t use magic in her fighting style the way the others do. I played around with a few options and finally decided on the Player’s Handbook 1 Paladin with all the healing and religion stripped out. She was raised riding a horse in full plate, knows her diplomacy, and charges headfirst into danger to protect people. Those are the traits a proper prince should have, after all.

I shared this, not because I have any illusions that what comes out in the published book will necessarily still look like what I have here, but just to show my process. Very few of my ideas strike me like a bolt of lightning. I take inspiration from everything I interact with on a daily basis. Using D&D was a new technique, but it really helped me to flesh out all of the characters by giving me a direction.

Doug Schembri Memorial Show 2015

  • So two weekends ago (at the end of my three weeks of ‘vacation’) was the Doug Schembri Memorial Horse Show in Tampa, FL. We don’t normally go that far for a horse show, but the people running the show, the Schembri’s are old friends of Deb, Morgan, and Cassie, and own the farm Char-o-Lot where I went for my six month internship. Suffice it to say, we like them and this is a good excuse to both go to a horse show and see friends. We arrived Thursday (Aug 6th) night. Spent Friday lunging and training, and then we showed on Saturday and Sunday.

    My day started out wonderfully, I placed second and third in Non-Pro Hunter in Hand, and got two thirds in Open Hunter in Hand. I was also in Most Colorful Geldings (halter class), since Nick has so much Appaloosa coloring. I got second in that class as well.

    Then my day continued wonderfully as my horse began to fall apart. Yes, I said wonderfully. At Advantage Ranch, we go show to figure out who we are as people in stressful situations. (Well it’s also fun to show and nice to win ribbons when they happen, but I digress.)

    I just posted an article this past week about people’s attitude toward horses and the training of them. If you haven’t read it, it’s very informative. The following is the relevant bit:

    The problem with this approach is that 1) it assumes a horse is something that it is not (such as a dog or a child); and 2) it rewards a horse for inappropriate and/or disrespectful behavior. Horses are noble, magnificent animals that inspire and awe me daily. They deserve respect for what they truly are — which is livestock (prey animals with hooves) of the highest order. Horses do have emotional and psychological needs — but those needs aren’t the same as the human equivalent. It is a form of disrespect and dishonor to treat the horse as anything else. And it harms them, sometimes almost to the point of no return.

    When a person and their horse go to a horse show, you tare taking an animal whose very nature is one of fear (prey animal) and putting them into a loud, confusing, and unfamiliar situation where emotions and nerves are high because of competition, and then expecting them to preform the same way they do back home.

    By the time we were preparing for Showmanship, Nick was pushing back against, testing the alpha mare (me) he relies on to keep him safe, and I, in my nerves, had been dropping the ball over the course of the day until I couldn’t walk him around without him attempting to walk all over me.

    We got through the Non-Pro Showmanship with a balk at the trot transition, though his training really came through in that I was able to bring him back and complete the pattern. After that, I realized that I didn’t trust my horse to not come completely unglued in the next class, so I handed my horse to my coach and I went to the tack room to cry.

    And yes, all of this is wonderful. Because once I cried, I went back out and I had a lesson on how to keep Nick’s mind (and my mind) focused more on the task at hand. And this was more valuable to me than the good runs I had in my Hunter in Hand classes, because as I am learning how to deal with the stresses of a horse show, I am really learning how to deal with the stresses of life.

    “If things are done correctly, the heat and pressure generated within the crucible of competition should burn away all that is base and false, leaving only the pure and true.”

    ~ James C. Wofford,
    USEF Combined Training Coach
    and 2 time Olympic Competitor

    And this is the work that is done at Advantage Ranch that is harder to explain to people when they come simply wanting riding lessons for their kids. The program itself is focused on teaching people about themselves and giving them the skills to tackle life instead of being at the mercy of it.

    You may remember my post a while ago about my recent bout of depression. This is an example of how what I’ve learned at Advantage Ranch applies to my real life.

    That being said, I am now going to use my fledgling influence to tell you about a new project that Advantage Ranch is getting ready to launch.

    It is called Resilience Retreats, and it is a summer camp experience for teenagers of military families, who are dealing with parents or siblings who have gone away to war and are having a hard time reintegrating into their families.

    While there is support aplenty for the returning soldiers, there is a sad dearth of programs to help the teens cope with these changes.

    The Resilience Retreats will help the teens discover who they are and who they are being in this world, which will better equip them to be confidant in themselves in the face of the struggles their loved ones are facing. And we want to provide this experience to them free of charge.

    You can find out more information on the website for Resilience Retreats, which will also have a link for the INDIEGOGO campaign which is happening this coming Tuesday the 25th. We are looking to start out strong with our donations and every little bit helps.

    Also, check out Advantage Ranch’s Facebook page where there will be posts you can share in order to get the word out. Thanks so much!

  • Post ‘Vacation’ Crash

    Several weeks ago (now) I went to the Writer’s Digest Conference in New York City. The next weekend I went to a horse show, and after three weeks of no downtime I crashed hard when I got home on Monday. It has taken me until now to sit down and work on any writing at all. (I haven’t written anything since two weeks ago either.)

    But here is what I (thankfully) thought to write about my Writer’s Digest Conference on the train home:

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    After this weekend I have a few new possible tools to try that will hopefully help me flesh out what I need to in The Storyteller, and even trim down (!?) the first part.

    One major thing I learned was that I should aim to start with 60 scenes, 15 in act 1, 30 act 2, 15 act 3 with the important bits where they should be. Well I currently have 48 scenes (including the ones I added to my post it note outline that aren’t actually written yet) so I’m a little short in the first place. I also got ideas of how to come up with worthwhile subplots (because apparently character growth and a romantic sub-plot just weren’t enough) that will mean something.

    However, I am happy to say that I do know what the book’s theme is and that is super important. I even ‘pitched’ my book to some people and they all seemed rather interested in it. So I think I’m on the right track, I just have to figure out the rest. I still have a goal of finishing this version of my draft by the end of the year. I need to get back into my habit of my set schedule, even though it’s harder to figure out how much I’ve gotten done because I won’t have a word count to quantify my progress.

    ALSO! I really loved New York. I don’t like cities, and I would never want to live in one, but being in New York was so surreal. I’ve seen it so often in movies that when I looked around I kinda felt like I must be in a movie. And when you look down the street and just see a line of buildings that just goes on, it’s very Inception looking. The touristy areas and the business areas around Times Square and Park Ave were just so clean and well maintained and well patrolled. It was really just great. Like I’d love to visit again (WD next year!) though I doubt I would want to live there, even if I had the income to support it.

    I can understand how it’s like a world of it’s own, all within that tiny little space. There’s just so much culture that grows in even those individual sections. It’s cool. Plus I had a New York Bagel, which was amazing, and New York Pizza, which was good but not world-ending good.

    All in all, it was a great weekend. I gave my cards out to a bunch of people, went out with new (and old) people each night for dinner. Got a bunch of cards, and got a ton on inspiration in general. I need to go through my notes and file away the important stuff in my Writing Scriv so I can find it when I need it. Learned about plotting, and outlining, and the two keynotes speakers I heard were great. World building, and apparently the other ones weren’t amazing because I don’t remember them off the top of my head. Also a panel on new authors, which was nice just for info.

    And someone did say that blogs don’t sell as many books as people really think, so encouraged us to not go nutso with the onlineness. I am happy to hear that, though I really think I was basically in that mindset anyway, I’ll just be happier now since I won’t worry quite so much about getting hardly any page views.

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    Now that things are caught up to there, I have to decide if I’m going to write a post about my horse show. I figure this blog does focus mostly on my life revolving around writing, but other things are important too. I want this blog to exist so that people can get to know me, so I guess that includes the horsey stuff as well.

    Untitled

    It hurts how little we can actually communicate with each other. It hurts how helpless I feel when I just want someone to be able to understand, but no one can. No one else can understand, not really, because no one else lives in the world I live in. And it hurts because I realize how little I understand anyone else.

    Extra Writing Time

    Otakon is done and over and was tons of fun. We actually put events in our guidebook and went to them! Spent money in the Dealer’s Room and Artist Alley. The weekend on a whole was great.

    Then I hung out for three days at my mother-in-law’s with basically nothing to do except write. So I worked on my outline, which got done more quickly than I thought it would, I spent some time working through the ‘major’ issues (both straight up plot holes as well as concepts I just hadn’t fleshed out yet, and that needed to be fleshed out) and reading the 1300 page Words of Radiance by Branderson.

    What did I discover during this process? First off, doing the physical post it note on posterboard is better than the program I had for index cards because I can see it all at a glance. So I could see where all the pink cards are (those are scenes that still need to be written) and where important character moments happen for Rose (pink) Tabitha (yellow) and Garrett (green). Through the middle, the blue are the plot holes, and everything else on that line are things that need to be explained that I don’t actually have a place for yet …

    However it brings into super sharp contrast the fact that my second half of the book just doesn’t exist. I knew this was an issue before I started the outline. It has been a problem for a while, but this is the perfect time to have this problem because I’m going to the Writer’s Digest Conference this weekend. I will be surrounded by writers and writing teachers. I’m sure something in a panel will pop out at me and propel me forward again.

    For now, getting ready for my trip to New York.

    Vacation Time!

    So Otakon is this weekend (I am writing this post on Friday morning in order to still have something to post on Sunday) and so this week was a little wonky. I got plenty of notes done over the past weekend but not nearly as much as I could have. I feel that in the future I should be able to pound out notes in a draft in only slightly longer than it takes to actually read the story.

    I am in the final fight scene right now, which is actually not as much of a total mess as I thought it was. The choreography of the fight needs a lot of work, but the A, B, C of what happens is pretty together.

    After Otakon I am hanging out in Maryland (at my mother-in-law’s) for an extra three days (otherwise I would be spending Tuesday driving home to Southwest Virginia and Thursday taking the train to New York City for the Writer’s Digest conference.) which is just unnecessary travel. It will also give me three days of a no plans vacation in which I will finish out my notes and start in on my outline. (And maybe read some of Words of Radiance, the next #Branderson book in my queue.)

    Which means that Writer’s Digest is imminent! I am a little package of nervous excitement. I am glad that I am able to take the train up and stay in the hotel with Anel (a writing buddy) so I won’t be all alone in the city. Btw, if you’re going to Writer’s Digest, drop me an email or a facebook message so I know to look for you.

    So next week I may post twice! Once with what writing stuff I get done on my ‘vacation’, and another with the details of my experience at Writer’s Digest. Stay tuned!

    Notes and Procrastination

    I was talking with my mother Wednesday (as I do every Wednesday) and was telling her about how this project often feels overwhelming. But at the same time, even though it feels like I’ll never accomplish anything, the alternative is to stop writing. That possibility does not exist in my world. So the only path is to continue forward.

    As such, I am still in the process of adding notes to The Storyteller. I’m not quite halfway through, though I am making quicker headway than I was. As long as I can sit down and remind myself that all I’m doing is writing down notes, things go smoothly.

    And what is the logical follow up for deciding you are going to continue on a project come hell or high water? Well it’s to procrastinate of course!

    You may or may not be aware that I have some skills in Photoshop. That banner ^. Totally made that myself. I have, in the past, made (pseudo) book covers, banners, and wallpapers for my stories as inspiration points. This is the one I put together this past week for The Storyteller. I even made sure this time to get free-use pictures.

    I find that having pictures that represent my stories helps me to feel like they’re more real somehow. This wallpaper is now my desktop background and I am able to look at it and it encourages me to keep going. I’m pretty happy with it.

    Baby Steps

    Getting back into the swing of writing has been rough. Mostly because the ‘writing’ has consisted of reading my story and then reading it again while making notes of things I need to change, fix, or add.

    What About Bob? I was hoping that on reading The Storyteller over again, that I would be encouraged by how much I had done. Instead I find myself scared by how much I haven’t done. It’s much harder to make myself sit down and work on the story than it has been in the past.

    I read some articles on revision in the past, and I remember a lot of them seeming to say: ‘Sure, I went though and jotted down notes on what needed to be fixed, then I made a plan and viola!’ Maybe for some people it is like that. I feel like I’m still light-years from a readable book, much less a publishable one.

    As for my actual process. Right now I am making a new copy of each scene, and then going through and putting in notes. Right now I’m ignoring descriptions that need to be improved, dialogue that needs tweaking, all of the typos. The notes that I write are in reference to plot, world building, and character building issues. All the ‘huge’ points that need to be hammered into place so that someone could read the story and at least follow what’s going on.

    I am not actually fixing any of these issues yet. Right now most of the notes are in reference to little things. Things that aren’t too lumpy, but I know that later I have major holes and whole scenes that will need to be added and rewritten. In order to keep the project from feeling overwhelming, I just have to keep taking baby steps.

    Getting Back in the Saddle

    It’s time to get back to The Storyteller! If you can remember back that far, I did indeed say I was going to take two months off, however, I neglected to take into account how long a month is. The story is sufficiently rested.

    I am excited to continue working out my writing process through actual action. This story, come what may of it, is probably going to be the single most important novel in my discovery of said writing process.

    Right now, the rough plan I have for The Storyteller is:

    1) I’m going to read the story through once and just see what’s there and how it flows when I’m doing nothing but reading.

    2) I’m going to then read it a second time and take notes on what is there and what isn’t there that I would like to be there.

    3) I’m planning on making a post-it note outline with colors for different plot threads and things that need to be added so I can see everything at a glance and move things around at will.

    4) Go in and write the bits that are missing and I know there are a lot of them. This will probably constitute a large chunk of the planned six months. Move around my post-it note outline (pino!) as I write to keep an eye on where I’m going and to see whether it is ‘complete’ as a story. The end of this step happens when all of the pieces are in the story, such that it makes sense in a read-through from beginning to end. (I’m going to put four months here, but this will likely change.)

    5) Send story out to beta readers and get feedback.

    6) Run through the whole story multiple times, tweaking and changing as I go, possibly focusing on certain aspects of the story such as plot, character, etc (Similar to my plan at the beginning of the year) to further hone stuff.

    I’m not putting any time restraints on here and probably won’t until after step 2, at which point I can reevaluate where I think I am. I need to keep reminding myself that my process is my own. I need to stop getting bogged down with the process of others.